Rashõmon
Watanabe no Tsuna, one of the great warriors of General Minamoto Yoritsune, severed the arm from a demon after a furious battle in the rain at Rashõmon Temple in Kyoto.

Ibaraki
The demon who lost his arm in the battle with Tsuna tried to recover his arm from him otherwise he would lose his supernatural powers unless he could retrieve it within seven days. On the seventh day, the demon, assuming the shape of Tsuna's aunt, coaxed Tsuna to show him the severed arm. Upon seeing the arm, the demon revealed his true shape.

Tsuchi-gumo (Ground Spider)
General Minamoto Yorimitsu was ill in bed when a ground-spider demon, assuming the shape of a Buddhist priest, visited him. The demon attacked Yorimitsu, but the general bravely fought back and slew the demon at Mt. Katsuragi. One of the Noh plays.

Hagoromo (Robe of Feathers)
A heavenly maiden was swimming, while her robe of feathers hung on a pine bough in scenic Miho. A fisherman, Hakuryo, walked by and took her beautiful robe. Hakuryo would not return the robe to her in spite of her begging. However, upon seeing the maiden deeply saddened, he finally agreed to return it, with one condition -- she must show him her heavenly dance. With her robe back on, the dancing maiden flew up into the sky. One of the Noh plays.

Dan-no-Ura Tragedy
The Taira clan led by Taira Munemori was defeated by the Minamoto clan led by Minamoto Yositsune at the final battle between the two rival clans at Dan-no-Ura in 1185. Nii-no-Tsubone, the nursemaid of Emperor Antoku, held the seven-years-old emperor and jumped into the sea and drowned. This is the final chapter in the epic collection of stories called 'The Tale of Heike', a rich tapestry of tales around which biwa traditions are inextricably linked.

Biwa Music
Biwa music is a form of sung story-telling, with musical interludes and accompaniment. The expressive, dramatic nature of the instrument can emulate the various twists and turns of a story as it unfolds. The tales are most often stories originating from medieval Japanese literature, such as "The Tale of Heike", an account of the wars between the Minamoto and Taira clans in the 12th century. Epic conflagrations by the sea, ghost stories or the tragic deaths of doomed warriors are common themes, often expounded with references to Buddhist notions such as the impermanence of life.

Biwa History
The biwa arrived in Japan from China and Korea approximately 1300 years ago, with what is still Japan’s orchestra of the court, Gagaku. There is also evidence that other biwa instruments came from the Indian lute tradition. In the 9th century the Mõsõ (blind monks') biwa began to be used by blind musicians as an accompaniment to chanted religious texts and sutras. At the beginning of the 13th century, Heike biwa players began telling of tales of the rise and fall of the Taira clan in 12th C Japan.

Biwa Performance
The Biwa performance style has been refined over the years so that it can create scenes and enhance imagery in such a manner as to bring stories to dramatic life before the audience. It has a uniquely expressive sound with the potential to create drama by powerfully plucked sets of notes interspersed with quieter passages. Often, performance traditions use biwa music as interludes inserted between passages of sung narration.

Biwa Construction
The traditional instrument (about three feet long) has a body commonly made of a solid piece of hollowed-out mulberry (or rosewood, quince) and a paulownia wood soundboard, with silk strings stretched over fixed wooden and bamboo frets. The expressive sound gains character from the sawari effect, a buzzing percussive sound that originates from the top end of the fretboard at the 'nut', where strings resonate against a shaped piece of bamboo. The bachi (plectrum), strikes the strings in a sweeping motion whilst the other hand varies the string tension over the frets to produce a wide variety of pitches.

Benzaiten statue at Sanzen-in, Ohara, Kyoto. The goddess Benzaiten is often associated with music and the Biwa.